首里手愛好会/Society_of_shurite_fans

空手の型をやっていて思うこと

欠伝型-チンシュウ(チンス)(2)/Lost Kata - Chinsu (2)

チンスについては以前記載したが、そこで紹介した動画が正と仮定して、著者がそれぞれどういう動作と見たか追記。


① 最初、構えた状態から右方向に向いて諸手払い動作、騎馬立ち(不動立ち?)での同動作。諸手払いは珍手にもあるし、玄制流の公相君(大)にも出てくる相手の攻撃手を払う動作。
② 続いての両手を大きく回す動作は、両手を取られた時に相手の両手の逆を極める動作。ローハイの最初の掻き分け動作、または観空の月の丸と同じと想定することもできる。
③ 続いて踏み換えしながらの手刀。踏み替え動作は燕飛に出てくるが、「隠されていた空手」でも解説されている、至近距離での攻防動作。
④ そこから90°(正面に)方向転換しての抜き手・上げ受け動作はやや解釈が難しい。相手を誘導しての動作か。さらに、右方向に向き直して中段外受けから下段払い、逆の手で下段払いしつつ突き。自分の右側面を防御しつつ踏み込んで上段猿臂。猿臂は玄制流の人位の型で散々練習した。
⑤ 踏み込んで下段諸手受け。下段諸手受けは平安や岩鶴にも出てくる。振り返りながら両手を上段から外に円を描く様に回して下ろす。取られた手を外す/相手の肘折。
⑥ 左を向いて後方上段、前方下段払い。いろいろな型に出てくる動作。そこから手刀打ち、連続抜き手。振り返り牽制、前蹴り、連続抜き手、向き直って牽制・前蹴りから自分の前面に猿臂を落とす。この猿臂も人位の型の最後の動作と同一である。
⑦ ローハイ同様の掻き分け動作の後、両手を外側に回して下ろす。上段内受けしながら振り返りつつ下段払い・逆方向への下段払いは相手を投げる(転がす)動作か。
⑧ 振り返っての鷺足立で上・下段受け。ローハイ、阿吽の型等に出てくる動作である。振り返って左手で相手を引き込み、右手で峯手打ち。諸手で自分の正面の相手を払い。
⑨ 払った相手に向けて踏み込んで抜き手。すり足で下がりながら上段外受け。一歩引いて両手で前後上段受け。二段武や他流派のバッサイに出てくる形である。
⑩ 踏み込みながら手刀打ち・返して手刀打ち、背後に回る相手に対して猿臂。振り返りながら下段払い(相手を誘導)。前蹴りから諸手上中段手刀打ち。三才に出てくる動作。
⑪ 終了。

 

いろいろな型の動作(形)を知っているから各動作に特に違和感はなかった。変化に富む良い型だと思う。この動画が本物なら良いが・・。

 

 

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I've written about chinsu before, but I added what the authors saw, assuming that the video introduced there was correct.
① First, from the standing position, turn to the right and perform both hands-receive motions, and the same motions while Kiba-Dachi (Fudo-Dachi(Firmness standing)?). The both-hands receive are in Chinte, and the act of receiving offense of the opponent, which appears even in the Genseiryu Kushanku (Dai).
② The subsequent action of turning both hands greatly is the locking technique the hands of the opponent when my both hands are taken. It can also be assumed to be the same as Rohai's first break through action, or the moon circle in the Kanku(Kushanku).
③ Next, a hand sword while stepping on. The stepping action comes out in Empi, but the offensive and defensive action at close range is also explained in "Hidden Karate".
④ It is a little difficult to interpret the finger-tips thrust / upper-receive movement after turning 90 ° (to the front). Is it an operation that guides the opponent? Then, turn to the right and receive the lower from the middle outer receive. While defending my right side, step on and do an elbow strike to the upper. I practiced elbows a lot in the Genseiryu Jin-i no kata.
⑤ Step in, and deal the both hands receive the lower. The both hands receive also appear in Heian and Gankaku. While looking back, turn both hands from the top to the outside in a circular motion and lower. It remove the taken hand / fold the opponent's elbow.
⑥ Facing to the left, receive the upper back and the lower front. Actions that appear in various katas. From there, hand-sword hitting, continuous finger-tips thrust. Looking back, front kicking, continuous finger-tips thrust, turning around and dropping the elbow in front of me. This elbow is also the same as the last action of the Jin-i no kata.
⑦ After the same break through operation as for Rohai, turn both hands outward and lower. Is it the operation of throwing (rolling) the opponent in the opposite direction that after the upper inner receive and lower receive, look back and lower receive?
⑧ Looking back, Sagi Ashi Dachi, receiving the upper and lower stages. This is an action that appears in Rohai, Aun-Kata, etc. Turn around and pull in the opponent with my left hand, and hit Mine-Te with my right hand. Use my hands to hit the opponent in front of me.
⑨ Stepping in towards the opponent, thrusting finger-tips. The upper outer is received while stepping back with slide. Pull back one step and use both hands to receive the front and back upper stages. It is a form that appears in Nidanbu or the other faction's Bassai(Passai).
⑩ While stepping in, hit with hand swords, and returned and hand swords are hit, and an elbow is hit against the opponent behind. While looking back, lower receive (guide the opponent). From the front kick to the upper and middle hands. Actions that appear at the Sanai of Genseiryu.
⑪ Finished.

Since I knew various katas of movements (shapes), I didn't feel any discomfort in each movement. I think it is a good kata that is rich in change.I hope this video is correct ...